Review
of December Events
December
Section Meeting "Audio and Computer
music in the Present Age":
(Review by Charles Gervasi) Greg
Taylor's talk was called “Campfires Seen from Orbit” because it
approached the subject from a philosophical view of how
electronic music fits into music over human history. When Max,
an early music creation software, started 36 years ago, it
required a whole room of computing equipment to run. Now it runs
easily on a laptop, making modern musicians think of a laptop as
an essential musical instrument. New technology tends to affect
music in unforeseen ways. Originally someone put a microphone on
a guitar to make it louder. Imperfections like clipping or
feedback became part of music and became more important than the
original purpose of adding a mic. There is a modern type of
music called Congotronics that uses older electronics repurposed
playing traditional music from the Congo in completely new
ways.
Taylor talks about the broad question in technology of “what’s
the next big thing?” As engineers we want to know because have
an interest in cutting-edge technology and there’s potential
for great wealth. Taylor says the question is based on a false
premise of a linear progression of technology. There is no
“next big thing”. We have access to things down “the long
tail”, not vetted by gatekeepers, and not geo-local. The talk
touched on chaos theory of “attractors”. Starting with the
phonograph, music has been getting easier and cheaper to
record and transmit, making it seem natural for music to be
free. The perception of the cost of music is affected by the
cost of the media. Every new development in music technology
influences music in unpredictable ways.
There are countless new pieces of musical hardware and
software people are creating and sharing on the Internet.
Taylor showed us an example of a keyboard with lights that is
really nothing more than an I/O device for a computer that
lends itself to music. There are musical instruments that run
entirely on a tablet computer. In one example, the musician
can drag things around on the screen to change the nature of
the sound. In the past musical communities formed to develop
music. They admitted or rejected people based on certain
aesthetic judgments and biases of the members. These musical
communities have gone online. They serve the same purpose as
musical communities throughout human history except everyone
can join regardless of initial judgments of members, opening
music to people who in the past would have not been part of a
community. This will affect music in unknown and exciting
ways.
Photo: Greg Taylor's Section Meeting Talk:
"Campfires Seen from Orbit: Audio and Computer Music in
the Current Age"